Feature film · 2023 · Music supervisor

Pinball: The Man Who Saved the Game

A new job, a missing phone number and the songs that hold both. Pinball: The Man Who Saved the Game is a warm, funny true story about the writer who helped make pinball legal again in New York City. Reality Club’s founder was the film’s music supervisor. The job: Use music the audience already knows to bring them closer to Roger, not further away.

Three people in 1970s clothes gather at a pinball machine in a warmly lit arcade: A smiling young woman in a knit cap, a boy in a striped shirt at the flippers, and a mustached man in glasses.
Pinball: The Man Who Saved the Game. Roger, right, at a row of pinball machines.
Film
Pinball: The Man Who Saved the Game, written and directed by Austin and Meredith Bragg
Release
Premiered in 2022, released in March 2023
Role
Music supervisor
Engagement
Reality Club’s founder, for the filmmakers, 2022

The moment

Winning at life. A new job, a chance encounter and one very important phone number.

After a divorce and a long stretch of unemployment, Roger finally gets a break: A full-time job as a culture reporter at GQ.

Earlier that day, on his way to the interview, a kind, mysterious stranger gave him her phone number in the elevator. Now, in the middle of celebrating, he has to find it. And then he has to find the courage to call.

The music has to hold the joy of a life opening up and the uncertainty of what happens next.

The challenge

A familiar song never arrives alone. It brings the listener’s memories with it.

That familiarity can make a scene feel personal in an instant. It can also pull attention away from the character and into a story the audience already knows.

For Pinball, a significant challenge was using well-known music from the era where it could matter most emotionally. The question was how to put that recognition in service of Roger’s story.

What the music needed to do

  • Carry the relief. Let the new job feel like a real turn in fortune after a long run of disappointment.
  • Keep the question alive. Leave room for the missing number and the vulnerability beneath the celebration.
  • Make the moment his. Use the emotional charge of recognition to bring the audience closer to Roger, with the aim of making the scene memorable in its own right.

The value is in knowing what a song brings into a room, and what the story needs from it.

The approach

Reality Club’s founder joined in post-production, while the directors, Austin and Meredith Bragg, were settling their final edit. They wanted a music supervisor who knew the music and culture of the 1970s deeply. The decade had many soundtracks, and the Braggs wanted the one Roger lived in: Recognizable songs from the era that carried the spirit and feeling of his efforts.

She answered with a lived-in palette where power-chord classic rock, country-tinged folk and earnest soul meet and mesh: The music of the rooms, radios and record collections Roger’s 1970s ran on. She and the filmmakers decided to let the songs span the whole decade, not only the later years when the story takes place.

From there she worked through final cue selection with the filmmakers.

A family gathers around a pinball machine in a 1970s kitchen: A boy works the flippers while a woman rests her hands on his shoulder, and a mustached man in glasses and a plaid shirt leans over the far side of the playfield.
Pinball: The Man Who Saved the Game. A pinball machine in the family kitchen.

Where it landed

Pinball: The Man Who Saved the Game premiered in 2022 and was released in March 2023.

The aim was for the relief to land, for the question to stay open and for a familiar song to feel like part of Roger’s story rather than a detour into one the audience already knows.

The value is in knowing what a song brings into a room, and what the story needs from it.

In good company

Reality Club’s founder thanks Austin and Meredith Bragg for Roger’s story and for trusting the music to help tell it.

Film
Pinball: The Man Who Saved the Game (2023)
Directors
Austin and Meredith Bragg
Music Supervisor
Jocelyn Michelle Brown